‘A facility of drawing, like that of playing upon a musical instrument, cannot be acquired but by an infinite number of acts. I need not, therefore, enforce by many words the necessity of continual application; nor tell you that the porte-crayon ought to be for ever in your hands.’ So proclaimed Sir Joshua Reynolds in 1769 in his second discourse to students of the newly founded Royal Academy. What Reynolds proclaimed was not new for there had long been an emphasis on drawing in an artist’s training and practice. To take the case of William Hogarth, he always carried a porte-crayon in his pocket, according to his early biographer, John Ireland
artists – Galerie Art Concept
art history Neil Jeffares
JOHN HAMILTON MORTIMER, A.R.A., SELF-PORTRAIT OF THE ARTIST, The Dealer's Eye, London, 2020
Charles B. King, at the Age of 30
David Allan, 1744 - 1796. Artist (Self-portrait)
Self and sensibility: eight self-portraitists of the long eighteenth century
The artist's porte-crayon - National Portrait Gallery
Porte Crayon, Cecil D. Eby Jr.
RCIN 663893 - David Wilkie
Sir William Bruce, c 1630 - 1710. Architect
Joseph Wright of Derby review – a master of light and shadow, Art and design
The artist's porte-crayon - National Portrait Gallery
National Portrait Gallery Announces Elsa María Meléndez as Winner of the 2022 Outwin Boochever Portrait Competition's People's Choice Award